Inner Harbor (Chesapeake Bay Saga #3)

She hesitated, then reminded herself that this was exactly why she was here. If she was to find that real truth, she couldn't back away now. "I'd like that. I can't guarantee what kind of sailor I'll be."

  "We'll find out. I'll pick you up. Ten, ten-thirty?"

  "That'll be fine. All of you sail, I imagine."

  "Right down to the dogs." He laughed at the expression on her face. "We won't bring them along."

  "I'm not afraid of them. I'm just not used to them."

  "You never had a puppy."

  "No."

  "Cat?"

  "No."

  "Goldfish?"

  She laughed, shook her head. "No. We moved around quite a bit. Once I had a schoolmate in Boston whose dog had puppies. They were darling." Odd, she thought, to have remembered that now. She'd wanted one of those pups desperately.

  It had been impossible, of course. Antique fourniture, important guests, social obligations. Out of the question, her mother had said. And that had been the end of it.

  "Now I move around quite a bit. It's not practical."

  "Where do you like best?" he asked her.

  "I'm flexible. Wherever I end up tends to suit me, until I'm somewhere else."

  "So right now it's St. Chris."

  "Apparently. It's interesting." She gazed out the window, where the rising moon glittered light onto the water. "The pace is slow, but it's not stagnant. The mood varies, as the weather varies. After only a few days, I'm able to separate the natives from the tourists. And the watermen from everyone else."

  "How?"

  "How?" Distracted, she looked back at him.

  "How can you tell one from the other?"

  "Just basic observation. I can look out of my window onto the waterfront. The tourists are couples, more likely families, occasionally a single. They stroll, or they shop. They rent a boat. They interact with each other, the ones in their group. They're out of their milieu. Most will have camera, map, maybe binoculars. Most of the natives have a purpose for being there. A job, an errand. They might stop and say hello to a neighbor. You can see them easing back on their way as they end the conversation."

  "Why are you watching from the window?"

  "I don't understand the question."

  "Why aren't you down on the waterfront?"

  "I have been. But you usually get a purer study when you, the observer, aren't part of the scene."

  "I'd think you'd get more varied and more personal input if you were." He glanced up as the waiter arrived to top off their wine and offer them dessert.

  "Just coffee," Sybill decided. "Decaf."

  "The same." Phillip leaned forward. "In your book, the section on isolation as a survival technique, the example you used of having someone lying on the sidewalk. How people would look away, walk around. Some might hesitate before hurrying past."

  "Noninvolvement. Disassociation."

  "Exactly. But one person would eventually stop, try to help. Once one person broke the isolation, others would begin to stop, too."

  "Once the isolation is breached, it becomes easier, even necessary for others to join. It's the first step that's the most difficult. I conducted that study in New York and London and Budapest, all with similar results. It follows the urban survival technique of avoiding eye contact on the street, of blocking the homeless out of our line of sight."

  "What makes that first person who stops to help different from everyone else?"

  "Their survival instincts aren't as well honed as their compassion. Or their impulse button is more easily pushed."

  "Yeah, that. And they're involved. They're not just walking through, not just there. They're involved."

  "And you think that because I observe, I'm not."

  "I don't know. But I think that observing from a distance isn't nearly as rewarding as experiencing up close."

  "Observing's what I do, and I find it rewarding."

  He slid closer and kept his eyes on hers, ignoring the waiter who tidily served their coffee. "But you're a scientist. You experiment. Why don't you give experiencing a try? With me."

  She looked down, watched his fingertip toy with hers. And felt the slow heat of response creep into her blood. "That's a very novel, if roundabout, way of suggesting that I sleep with you."

  "Actually, that wasn't what I meant—though if the answer's yes, I'm all for it." He flashed her a grin as she shifted her gaze warily to his. "I was going to suggest that we take a walk on the waterfront when we've finished our coffee. But if you'd rather sleep with me, we can be in your hotel room in, oh, five minutes flat."

  She didn't evade when his head lowered to hers, when his lips slid lazily into a lovely fit over hers. The taste of him was cool, with an underlying promise of heat. If she wanted it. And she did. It surprised her how much, just at that one moment, she wanted the flash and burn—the demand that would override the tension inside her, the worry, the doubts.

  But she'd had a lifetime of training against self-indulgence, and now she laid a hand lightly on his chest to end the kiss, and the temptation.

  "I think a walk would be pleasant."

  "Then we'll walk."

  he wanted more. phillip told himself he should have known that a few tastes of her would stir up the need. But he hadn't expected that need to be quite so sharp, quite so edgy. Maybe part of it was sheer ego, he mused as he took her hand to walk with her along the quiet waterfront. Her response had been so cool and controlled. It made him wonder what it would be like to peel that intellect away, layer by layer, and find the woman beneath. To work his way down to pure emotion an

d instinct.

  He nearly laughed at himself. Ego, indeed. For all he knew, that formal, slightly distant response was precisely all that Dr. Sybill Griffin intended to give him.

  If so, that made her a challenge he was going to have a very difficult time resisting.

  "I see why Shiney's is a popular spot." She slanted him a smiling look. "It's barely nine-thirty and the shops are closed, the boats are moored. A few people strolling along, but for the most part everything here is tucked in for the night."

  "It's a little livelier during the summer. Not much, but a little. It's cooling off. Are you warm enough?"

  "Mmm. Plenty. It's a lovely breeze." She stopped to look out at the swaying masts of boats. "Do you keep your boat here?"

  "No, we have a dock at home. That's Ethan's skipjack."

  "Where?"

  "It's the only skipjack in St. Chris. There are only a couple of dozen left on the Bay. There." he gestured. "The single mast."

  To her untrained eye, one sailboat looked very much the same as the next. Size varied, of course, and gloss, but essentially they were all boats. "What's a skipjack?"

  "It evolved from the flat-bottomed bay-crabbing skiffs." He drew her closer as he spoke. "They were enlarged, designed with a V-shaped hull. Had to be easily and inexpensively built."

  "So they go out crabbing in them."

  "No, mostly the watermen use motor-powered workboats for crabbing. The skipjack is for oysters. Back in the early 1800s they passed a law in Maryland that allowed only sail-powered vessels to dredge for oysters."

  "Conservation?"

  "Exactly. The skipjack came out of that, and it still survives. But there aren't many of them. There aren't many oysters either."

  "Does your brother still use it?"

  "Yeah. It's miserable, cold, hard, frustrating work."

  "You sound like the voice of experience."

  "I've put in some time on her." He stopped near the bow and slipped an arm around Sybill's waist. "Sailing out in February, with that wind cutting through you, bouncing on the high chop of a winter storm… all in all, I'd rather be in Baltimore."

  She chuckled, studying the boat. It looked ancient and rough, like something out of an earlier time. "Without having set foot on it, I'm going to agree with you. So why were you bouncing on the high chop of a winter storm instead of in Baltimore?"

  "Beats the hell out of me."

  "I take it this isn't the boat you invited me out on tomorrow."

  "No. That one's a tidy little pleasure sloop. Do you swim?"

  She arched an eyebrow. "Is that a statement on your sailing abilities?"

  "No, it's a suggestion. The water's cool, but not so cold you couldn't take a dip if you like."

  "I didn't bring a bathing suit with me."

  "And your point is?"